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Het is volbracht! (variant III). Composed by Gertim

SDG

0:47	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	4	4	100%
		17	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	4	4	100%
		17	0	2	3	100%

Het is volbracht! (variant II). Composed by Gertim.

SDG

0:45	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		16	0	6	3	100%
		20	0	5	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		16	0	6	3	100%
		20	0	5	3	100%

33. Ich steh' an deiner Krippen hier, Schemelli, Bach, BWV 469.

SDG

0:49	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	2	4	100%
T B		16	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	2	4	100%
T B		16	0	3	4	100%

Het is volbracht! (variant IV). Composed by Gertim

SDG

0:48	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		16	0	3	3	100%
		18	0	3	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		16	0	3	3	100%
		18	0	3	5	100%

Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier

SDG

0:01	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	7	6	6	100%
		18	0	6	4	78%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	7	6	6	100%
		18	0	6	4	78%
		17	3	4	6	100%
Alto		11	0	0	4	78%
Soprano		11	0	0	4	78%
Bass		11	0	0	4	53%
Tenor		11	0	0	4	53%

22. Gib dich zufrieden und sei stille. Schemelli Gesangbuch. Inner voices: Gertim

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	6	100%
Tenor/Bass		18	0	4	6	100%
Contrabass		16	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	6	100%
Tenor/Bass		18	0	4	6	100%
Contrabass		16	0	3	4	50%

2. Ach Gott, erhör' mein Seufzen!, J.S. Bach, BWV 254.

SDG

0:42	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	2	4	100%
Tenor/Bass		18	0	4	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	2	4	100%
Tenor/Bass		18	0	4	4	100%

Es kostet viel, ein Christ zu sein

SDG

0:54	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	6	97%
Tenor/Bass		17	0	4	6	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	6	97%
Tenor/Bass		17	0	4	6	97%

Heer kom terug. Composed by Gertim (SDG)

SDG

0:45	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	5	100%
Tenor/Bass		17	0	1	5	100%
Contrabass		13	0	0	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	5	100%
Tenor/Bass		17	0	1	5	100%
Contrabass		13	0	0	5	50%

32. Befiehl du deine Wege, J.S. Bach, BWV 272.

SDG

0:55	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
		22	0	7	6	100%
		22	0	7	6	100%
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		22	0	7	6	100%
Contrabass		16	0	5	5	50%

Ik zou wel eens willen weten, Jules de Corte. Jules de Corte. Antwoordlied, arrangement: Gertim.

SDG

0:30	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		10	0	2	6	100%
Bass		16	0	3	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		10	0	2	6	100%
Bass		16	0	3	6	100%

God had ons zo lief, want zo lief had God de wereld, dat Hij Zijn eniggeboren Zoon gegeven heeft, opdat een ieder die in Hem gelooft niet verloren gaat, maar eeuwig leven heeft. Nederlandse versie uit John Stainer's Crucifixion

SDG

0:01	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
T B		21	0	6	7	99%
S A		20	0	6	7	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
T B		21	0	6	7	99%
S A		20	0	6	7	98%

Voor uw liefde Heer Jezus dank U wel. Let us break bread together on our knees. Arrangement: Gertim

SDG

0:35	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	5	100%
Tenor/Bass		17	0	4	5	100%
Contrabass		13	0	3	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	5	100%
Tenor/Bass		17	0	4	5	100%
Contrabass		13	0	3	5	50%

292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.

SDG

0:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
		18	0	3	5	100%
		18	0	3	5	100%
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		15	0	2	5	50%

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